How can a life guided by deep faith change once you’ve lost all belief in God’s existence?
Julius Blüthner, a German piano maker in the late nineteenth and early twentieth centuries, was a legend in his time. He would take the train from Leipzig to the mountains of Romania to personally choose the spruce trees which would become, after a process involving many steps and many years, a piano. One of the Blüthner factory’s rare instruments, which would “open up and gather into itself a unique history,” is a main character in Chris Cander’s latest novel, The Weight of a Piano.
The Swick and the Dead is book two in Maggie Foster’s clever and imaginative Loch Lonach Mysteries series, and the odd word in the title, “swick,” has a double meaning. In recent slang, swick mashes together “sweet” and “sick” to refer to something “cool” or “excellent” or “pleasant.” In old Scottish, however, swik (and similar spellings) referred to something much darker: deceit or a deceiver.
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